ice ts infamous and influential metal band debut from 1992.

fad is born in 2013 fruit of the collaboration between felipe valenzuela, argenis brito and dani casarano. the three cadenza artists began working together under the guidance of ricardo villalobos in berlin and have produced this exquisite ep full of elaborate textures and intricate phrases. the ep comes with a remix by alexkid, already a living legend in underground music.

for their 50th release, aus music are proud to announce that deetron will provide a very special single-sided vinyl pressing of his new single, count on me.

reset robot returns to truesoul with another four-track ep of smoldering rhythms and wonky deepness that can be categorized as belonging somewhere between techno and tech house. the product of an extended period of a&r ping-pong, the result is a collection of tracks that has to a great extent tailored the natural range of reset robots sound to the requirements of beyers vision for truesoul. mechanical but groovy, moody but danceable, all four tracks have the subtle energy and intricate details required to move the floor whether it be as part of a tone-setting opening set or late on at the after-hour

nice price deal !!!

benoit & sergio dont make dance tracks—they tell stories. in the washington dc duos music, a sense of place and narrative infuse their rhythms and melodies, transcending having flexed their synth-pop muscles on releases for dfa (the acclaimed boy trouble ep) and visionquest (the lovelorn where the freaks have no name ep), dc duo benoit & sergio return to spectral sound for a victory lap around the dancefloor. and >let me count the ways< is just that, sounding every bit the perfect, hands-in-the-air final anthem of the evening. tireless hi-hats push the beat onward and dreamy synthesized strings saturate the stereo space as sergio intones, >let me count the ways / the ways that ive loved.< as the line repeats, its meaning bends to fit the songs tone of endless, time-suspended romance: its not the loves that matter in the end, but the ways. its not the destination, but the journey. the b-sides >let me count the ways (autumn version)<is a vastly different take on the original?s maximalist swell. stripping the beat back to its bare essentials and building them up again over nearly 12 minutes, the >autumn version< recalls arthur russell?s more minimal moments down to its wobbly bass filigree and mumbled vocal samples. by the end of the track, the claps are falling on the twos and fours like crinkly foliage, synths are sizzling like firewood, and benoit & sergio?s newest banger is revealed in its full glory once again.

nice price deal !!! nu year s deal - third single from critically acclaimed new ninja tune signing emika, complete with remixes from kryptic minds and marcel dettmann. emika already has a strong fanbase through previous two releases and has already achieved some excellent press results. supporting amon tobin at the roundhouse and the berghain in berlin.

manche sagen, the count & sinden gingen mit tanzmusik um wie jongleure im zirkus. alle denkbaren sounds und platten finden ihren weg in den mix der englõnder, und das ergebnis ist ein unverzerrtes spiegelbild ihrer einfl³sse: house, techno, dancehall, hip hop, electro, ragga, garage, afrobeat, boot...

the count & sinden release two more devastating club tracks in the form of strange things / elephant 1234. the release features two vastly different tracks showcasing the count & sindens eclectic taste and endless talents. with an infectious chorus sampling john holts early 70s lost reggae classic of the same name, the maverick duos strange things is a haunting yet energised roots meets old skool jungle anthem, set to get the temperature rising. strange things is backed with elephant 1234, a tweaked 4/4 cut that takes influences from the best in todays european and us electronic music scenes with a count & sinden twist... this is where dance music is right here, right now.

the count & sinden have been honing their debut album and road testing the tracks over the past year. from the us to japan, australia and all across europe and the uk, mega has been the biggest tune of their sets...

a brand new ep from the count & sinden, which showcases their love of all sorts of club music, from garage to r n b, from hip hop to grime. lead track hardcore girls is the sound of the much hyped baltimore breaks scene, evolved, displaced and mutated as only the count & sinden know how. fronted by the hottest thing out of b more since the wire, 17 year old wild child of the mike, rye rye. she has been touring the states with mia and, now signed to interscope, she is set to do big things. her unique and energetic vocal is treated to one of the duo’s best bumpy bass grooves and the combined effect is nothing short of devastating. another new school talent picked up on by the count & sinden is ny. bubbling on the uk underground, she fronts the hardcore, jungle inflected soul that is fool in love. this is pop music for the now and tomorrow, a classic love song set to a raucous jungle inspired backing track which has become a live favourite over the summer.finally we have jme, a legend in the grime scene, known for his tight flows, guest appearances and his boy better know franchise. industry gives an overview of the pit falls of getting involved in the trickiest of games... the music business. and who would want to get involved in that shit!?!

7inch appetizer to ceschi and dj scientists new full length album to be released in early 2009.

2 dj remixers from london aka herve & sinden, well known through their own label cheap thrills. dirry dj vocals by glitty ranks.

modern phreaky new school breaks..

another 4 quality hardtechno tracks by seema (toolterror/schlachthof)

the blue label returns with count funkula. the answer may surprise you is a deep latin flavoured grooving soulful vocal gem with great drum programming. flip for the irresistible shaky ground and the smooth boogie down a must have

new jackmasters sinden & count of monte cristal deliver a jackin electro flavoured dirty hip house four track ep that will be great with all the usual suspects this summer

after creme 16 comes here the follow up and again pussycat delivers miami influenced electro tunes

theodore girthkins,bosco jackson and terell robinson join forces for the most funked up jacked out release to date on this label. starting off is the spudda dudda doo making use of the original sample that gave birth to the 90s anthem gimme some horns with a few additional parts. brilliantly constructed and absolutely essential. flip for corruption, another rare gem being cut and polished as only these three gypsies know how

smooth carl finlow house tracks with a electro feel. probably one of his most floor orientated releases in a while. can be compared with his massive il.ek.tro release on klang but more straight forward. this even reminds us of the classic o

as twilight falls, the mysterious count (and half of peace division) drake returns with the 6th episode in his promo only ny series, the a-side kicks off with a quirked out moroder-esque electro / italo disco work out with stomping beats and female spoken word vocal snippets, the flip is a funked up electro bomb built around a sample from evelyn 'champagne' king's 'love come down', complete with synth stabs and vocodered vox

rockin funky house > mojolatorsb are back!!

split ep with two freakin modern electro house tracks...for tiefschwarz & black strobe lovers

unreleased archive material from ray charles meets new recordings from the count basie orchestra.

second album from big joanie finally vailable on vinyl.

90s king of latin pop ! 25th anniversary !

fresher jazziger afrobeat

strictly limited pressing of 500 units. deluxe neon pink marble & lp2 orange coloured vinyl with insert.

standard black vinyl

repress

limited red vinyl lp

you can always count on subset to create a truly stunning and accurate atmosphere in his compositions. >ambient particles< is available in digital and in a beautifully designed and presented physical cd that you have become accustomed to with greyscale.

cd housed in a 4-panel digipak.